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Some writers use a good bit of dialogue to achieve much of the meat in their manuscript. A lot can be said about this particular style and of course their are a lot of readers that enjoy a good exchange of verbal cues to tell them what is going on in the book's world. She pointed down, "Sam look at that shell over there, why do you think it is so dark compared to the others?" Kaylie asked. Sam dipped down and scooped up the broken conch and examined it. He brushed the loose sand off the surface and looked up searching for a good explanation. She loved his extravagant tales and off the wall whit. "A long time ago this shell was the home a little mollusk named Onivia. She was no stranger to adventure..." And so Sam would give his dialogue.
I guess the moral of this little blog is take a look at your writing, a hard look. Read it to yourself, heck have others read it to you. Then close your eyes and picture the scene, can you do it? Were there to many gaps in the sentences that keep you from picturing it well. Don't be afraid to rewrite and expand on some of your descriptions and dialogues to achieve this. Your reader should never have to reach to far to get 'there.' Where there is that place you are trying to take them to whether it be the next state over or some distant fantasical world. Yes of course they need to have some use of their own imagination to help along the journey, but don't push it to far. In other words don't just 'tell' it to them so they think they are reading an encyclopedia entry on the locale, "show' them the place through great use of your words.
Yup, show and not tell is probably the greatest transition I had to make when I started writing. I use dialogue to do it. It's not as easy as people think to show fantasy and not tell.
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